Rent A Small Boy and Others & The Spoils of Poynton

Synopsis

The Spoils of Poynton is a novel by Henry James, first published under the title The Old Things as a serial in The Atlantic Monthly in 1896 and then as a book in 1897. This novel traces the shifting relations among three people and a magnificent collection of art, decorative arts, and furniture arrayed like jewels in a country house called Poynton. Mrs. Gereth, a widow of impeccable taste and iron will, formed the collection over decades only to have it torn away from her when her son Owen decides to marry a frivolous woman. The story is largely told from the viewpoint of Fleda Vetch, a keenly intelligent young woman of straitened circumstances who, shortly after becoming the intimate friend and companion of Mrs. Gereth, falls in love with Owen. Sympathetic to Mrs. Gereth's anguish over losing the fine things she patiently collected, Fleda shuttles between the estranged mother and son, becoming ever more involved in their affairs. Widow Adela Gereth tells the sensitive and tasteful Fleda Vetch that she's afraid her son Owen (heir to the family home Poynton) will marry the coarse Mona Brigstock. Mrs Gereth dreads the prospect of her painstakingly collected furniture and other art objects being given up to a philistine wife, while being left to live alone in Ricks, a small and coarsely designed cottage bequeathed to her. Owen in turn enlists Fleda to get his mother to leave with a minimum of fuss. Fleda is shocked to find that Mrs Gereth has decorated Ricks with many of the best pieces from Poynton. Owen reports that Mona is angry with the 'theft' of the valuable heirlooms, and consequently becomes colder towards him. Meanwhile, he begins to show an attraction to Fleda and eventually declares his love for her. Fleda insists that he honour his engagement to Mona unless she breaks it off. A Small Boy and Others is a book of autobiography by Henry James published in 1913. The book covers James' earliest years and discusses his intellectually active family, his intermittent schooling, and his first trips to Europe. This memoir tells of a precocious boy who loved the sights and sounds of his childhood but felt reticent about full participation in life. The note is sounded from the first chapters, as James recounts the limitations-and rewards-of the child he was: "For there was the very pattern and measure of all he was to demand: just to be somewhere-almost anywhere would do-and somehow receive an impression or an accession, feel a relation or a vibration. He was to go without many things, ever so many-as all people do in whom contemplation takes so much the place of action; but everywhere...he was to enjoy more than anything the so far from showy practice of wondering and dawdling and gaping: he was really, I think, much to profit by it." James clearly suffered from a sense of his inferiority in the "showy", active parts of life. His older brother William always seemed superior in ability; his classmates scorned his hopelessness at math and science; even at a party he felt too embarrassed to join in the dancing. But he still observed and fantasized about all his family and his surroundings had to offer. When a cousin of his was told "don't make a scene," he suddenly realized that scenes could be made by telling a story or inventing a play. He went often to the theater and fell forever under its spell. His family met William Thackeray and Charles Dickens on their American tours, and James even remembered Thackeray mock-scolding his sister Alice for her crinoline dress: "Crinoline? I was suspecting it! So young and so depraved!"

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